J.M.W. TURNER (1775-1851)
The Mont Blanc (4,808.13 m - 15,776.7 ft)
France - Italy border
In The Mont Blanc from Fort Roch-Val d'Aoste, c.1814, watercolor, Private collection
The watercolor
The landscape depicted on the watercolor presented here (The Mont Blanc from Fort Roch-Val d'Aosta) is a view from the Val D'Aosta from the village of Levergogne, 11 kilometers southeast of Mont Blanc. Turner devised a battle it was held in 1796 during the invasion of Italy by the French troops during the First Empire. The same year, Turner painted another watercolor which is a "complementary image" to it (The Battle of Fort Rock, Val d'Aosta, 1796). On a stylistic level the canvas we are looking at, seems to date from 1814 and would prior to his "complementary image" evoking "Fort Battle Rock 1796". It is likely that Turner had wanted to link the two watercolors to make allegories of War and Peace. Such juxtaposition was quite relevant in 1815, at the time of the end of the Napoleonic wars. Turner later also pursued the creation of many other "complementary images » such as these, often connected beyond many years apart. In this allegory of Peace, therefore, three girls leaning over a parapet with some hesitation, rightly, given the depth of the abyss. But now the sky is calm, mountains radiate beauty and Mont-Blanc appears in its wonderful light…
The mountain
Mont Blanc (in French) or Monte Bianco (in Italian), both meaning "White Mountain", is the highest mountain in the Alps and the highest in Europe after the Caucasus peaks. It rises 4,808.73 m (15,777 ft) above sea level and is ranked 11th in the world in topographic prominence. The Mont Blanc is one of the Seven Summit, which includes the highest mountains of each of the seven continents. Summiting all of them is regarded as a mountaineering challenge, first achieved on April 30, 1985 by Richard Bass. The 7 highest summit, (which are obviously 8 with 2 in Europe !) are :
Mount Everest (8,848m), Aconcagua (6,961m), Mt Denali or Mc Kinley (6,194m), Kilimandjaro (5,895m), Mt Elbrus (5,642m), Mount Vinson (4,892m) and Mount Kosciuszko (2,228m) in Australia.
The mountain lies in a range called the Graian Alps, between the regions of Aosta Valley, Italy, and Savoie and Haute-Savoie, France. The location of the summit is on the watershed line between the valleys of Ferret and Veny in Italy and the valleys of Montjoie, and Arve in France. The Mont Blanc massif is popular for mountaineering, hiking, skiing, and snowboarding.
The three towns and their communes which surround Mont Blanc are Courmayeur in Aosta Valley, Italy, and Saint-Gervais-les-Bains and Chamonix in Haute-Savoie, France. A cable car ascends and crosses the mountain range from Courmayeur to Chamonix, through the Col du Géant. Constructed beginning in 1957 and completed in 1965, the 11.6 km (7¼ mi) Mont Blanc Tunnel runs beneath the mountain between these two countries and is one of the major trans-Alpine transport routes.
Since the French Revolution, the issue of the ownership of the summit has been debated.
From 1416 to 1792, the entire mountain was within the Duchy of Savoy. In 1723 the Duke of Savoy, Victor Amadeus II, acquired the Kingdom of Sardinia. The resulting state of Sardinia was to become preeminent in the Italian unification.[ In September 1792, the French revolutionary Army of the Alps under Anne-Pierre de Montesquiou-Fézensac seized Savoy without much resistance and created a department of the Mont-Blanc. In a treaty of 15 May 1796, Victor Amadeus III of Sardinia was forced to cede Savoy and Nice to France. In article 4 of this treaty it says: "The border between the Sardinian kingdom and the departments of the French Republic will be established on a line determined by the most advanced points on the Piedmont side, of the summits, peaks of mountains and other locations subsequently mentioned, as well as the intermediary peaks, knowing: starting from the point where the borders of Faucigny, the Duchy of Aoust and the Valais, to the extremity of the glaciers or Monts-Maudits: first the peaks or plateaus of the Alps, to the rising edge of the Col-Mayor". This act further states that the border should be visible from the town of Chamonix and Courmayeur. However, neither the peak of the Mont Blanc is visible from Courmayeur nor the peak of the Mont Blanc de Courmayeur is visible from Chamonix because part of the mountains lower down obscure them. A Sardinian Atlas map of 1869 showing the summit lying two thirds in Italy and one third in France.
After the Napoleonic Wars, the Congress of Vienna restored the King of Sardinia in Savoy, Nice and Piedmont, his traditional territories, overruling the 1796 Treaty of Paris. Forty-five years later, after the Second Italian War of Independence, it was replaced by a new legal act. This act was signed in Turin on 24 March 1860 by Napoleon III and Victor Emmanuel II of Savoy, and deals with the annexation of Savoy (following the French neutrality for the plebiscites held in Tuscany and Emilia-Romagna to join the Kingdom of Sardinia, against the Pope's will). A demarcation agreement, signed on 7 March 1861, defines the new border. With the formation of Italy, for the first time Mont Blanc is located on the border of France and Italy.
The 1860 act and attached maps are still legally valid for both the French and Italian governments. One of the prints from the 1823 Sarde Atlas positions the border exactly on the summit edge of the mountain (and measures it to be 4,804 m (15,761 ft) high). The convention of 7 March 1861 recognises this through an attached map, taking into consideration the limits of the massif, and drawing the border on the icecap of Mont Blanc, making it both French and Italian.Watershed analysis of modern topographic mapping not only places the main summit on the border, but also suggests that the border should follow a line northwards from the main summit towards Mont Maudit, leaving the southeast ridge to Mont Blanc de Courmayeur wholly within Italy.
Although the Franco-Italian border was redefined in both 1947 and 1963, the commission made up of both Italians and French ignored the Mont Blanc issue. In the early 21st century, administration of the mountain is shared between the Italian town of Courmayeur and the French town of Saint-Gervais-les-Bains, although the larger part of the mountain lies within the commune of the latter.
Climbing
The Mont Blanc Massif averages nearly 100 fatalities a year. A published estimate suggests there have been 6,000-8,000 alpinist fatalities in total, more than on any other mountain.Several classic climbing routes lead to the summit of Mont Blanc:
- The historic itinerary through the Grand Mulets, which is most frequently traversed in winter by ski, or in summer to descend to Chamonix.
- The normal Italian itinerary is also known as La route des Aiguilles Grises. After crossing the Miage Glacier, climbers spend the night at the Gonella refuge. The next day one proceeds through the Col des Aiguilles Grises and the Dôme du Goûter, concluding at L'arête des Bosses (Bosses ridge).
- The most popular route is the Voie Des Cristalliers, also known as the Voie Royale. Starting from Saint-Gervais-les-Bains, the Tramway du Mont-Blanc (TMB) is taken to get to the fr:Gare du Nid d'Aigle. The ascent begins in the direction of the Refuge de Tête Rousse and through the Goûter Corridor, considered dangerous because of frequent rock-falls, leading to the Goûter cabin for night shelter. The next day the route leads to the Dôme du Goûter, past the emergency Vallot cabin and L'arrête des Bosses.
- La Voie des 3 Monts is also known as La Traversée. Starting from Chamonix, the Téléphérique de l'Aiguille du Midi is taken towards the Col du Midi. The Cosmiques cabin is used to spend the night. The next day the ascent continues over Mont Blanc du Tacul and Mont Maudit.
- The Miage — Bionnassay — Mont Blanc crossing is usually done in three days, and has been described as a truly magical expedition of ice and snow aretes at great altitude. The route begins from Contamines-Montjoie, with the night spent in the Conscrits cabin. The following day, the Dômes de Miages is crossed and the night spent at the Durier cabin. The third day proceeds over l'Aiguille de Bionnassay and the Dôme du Goûter, finally reaching the summit of Mont Blanc via the Bosses ridge.
Recent temperature rises and heatwaves, such as that of summer 2015, have had significant impacts on many climbing routes across the Alps, including those on Mont Blanc. For example, in 2015, the Grand Mulets route, previously popular in the 20th century, was blocked by virtually impenetrable crevasse fields, and the Gouter Hut was closed by municipal decree for some days because of very high stonefall danger, with some stranded climbers evacuated by helicopter.
The painter
The english painter Joseph Mallord William Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence in the history of painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism.
In his thirties, Turner travelled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year. He made many visits to Venice. Turner's talent was recognized early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterized by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." Turner was recognized as an artistic genius: influential English art critic John Ruskin described him as the artist who could most "stirringly and truthfully measure the moods of Nature."
Turner's major venture into printmaking was the Liber Studiorum (Book of Studies), seventy prints that he worked on from 1806 to 1819. The Liber Studiorum was an expression of his intentions for landscape art. The idea was loosely based on Claude Lorrain's Liber Veritatis (Book of Truth), where Lorrain had recorded his completed paintings; a series of print copies of these drawings, by then at Devonshire House, had been a huge publishing success. Turner's plates were meant to be widely disseminated, and categorized the genre into six types: Marine, Mountainous, Pastoral, Historical, Architectural, and Elevated or Epic Pastoral. His printmaking was a major part of his output, and a museum is devoted to it, the Turner Museum in Sarasota, Florida, founded in 1974 by Douglass Montrose-Graem to house his collection of Turner prints.
Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking or working or walking in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God – a theme that romanticist artists and poets were exploring in this period. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena.
Turner used pigments like carmine in his paintings, knowing that they were not long-lasting, despite the advice of contemporary experts to use more durable pigments. As a result, many of his colours have now faded greatly.
John Ruskin says in his "Notes" on Turner in March 1878 : "His true master was Dr Monro; to the practical teaching of that first patron and the wise simplicity of method of watercolour study, in which he was disciplined by him and companioned by Girtin, the healthy and constant development of the greater power is primarily to be attributed; the greatness of the power itself, it is impossible to over-estimate. "
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